Genre Documentary

0 out of 10 (46180 )

The camera follows Justin Bieber (1994- ) during the ten days leading up to his August, 2010, sold-out show at Madison Square Garden. Footage of these ten days of concerts, rehearsals, and down time with boyhood friends, his mom, and his entourage is inter-cut with home movies, old photos, and interviews showing a musical prodigy who loves to perform, comes to the attention of an Atlanta agent via YouTube, impresses Usher, and rockets to international stardom soon after his 15th birthday. His manager emphasizes the importance of social media and of Justin's work ethic and personality in making him a star; the camera emphasizes Bieber's look. His mom and grandparents shine.

6.8 out of 10 (3285 )

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3.8 out of 10 (26 )

Feature film for release Spring 2011 following four superbike riders through their dramatic British Superbike Season. They are the new GLADIATORS, battling at 200MPH, riding through torturous conditions and risking life and limb at every race meeting. Only one can be the true champion. The film follows the great British hope, Tommy Hill, a fearless racer who cheated death at 14 years old. It tracks James Ellison, the northern heartthrob who came second in 2009, and HAS to win to save his career. Also Gary Mason, an ex privateer now racing on a factory Kawasaki bike who has everything to prove. And finally black leather clad Josh 'Bad Boy' Brookes, the Australian out to steal the crown from the British hopefuls. Film score by David Vanian of the Damned, music by Phil Collen of Def Leppard and Manraze. Directed by Mark Sloper.

8 out of 10 (25 )

From The Ashes is an uplifting and remarkable tale of a summer that changed English sport forever. In July 1981, rioting and discontent ruled the streets of England. On the playing fields, England was 1-0 down after two tests against old enemy, Australia, and iconic all-rounder Ian Botham, had resigned as English captain, hours before being pushed. Watching on was opposing Captain, Kim Hughes, the Golden Boy of Australian sport. Brilliant and eloquent, he seemed to be a master of the universe. With English cricket on the brink, bookmakers offered odds of 500-1 against an English win in the 3rd test. Yet, Botham would not lie down and rediscovered his cavalier flair in a series of remarkable, match-winning performances that defined him and saw The Ashes returned home. Packed with match action and interviews with the chief protagonists - including Botham, Gower, Willis, Marsh, Hughes and more...

6.6 out of 10 (138 )

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6 out of 10 (35 )

BBC Earth Films bring the most astounding stories from the natural world to the big screen. Audiences are invited to join us on a journey of new discovery, meeting extraordinary characters and following their incredible adventures. BBC Earth Films combine great storytelling with awe-inspiring HD film footage and moving scores from the world's greatest composers to connect audiences with their planet.

7.3 out of 10 (85 )

Ozzy Osbourne's four decade track record as a culturally relevant artist is unprecedented, but his personal struggles have been shrouded in secrecy, until now. Featuring never before seen footage uncovered from the archives and interviews with Paul McCartney, Tommy Lee and others, God Bless Ozzy Osbourne is the first documentary to take viewers inside the complex mind of rock's great icon. Emerging from a working class family in war torn England, Osbourne and his neighborhood friends formed Black Sabbath and invented heavy metal. Plagued by self doubt, Osbourne the solo superstar went on a binge that lasted 40 years. God Bless Ozzy Osbourne will relive the highs of his triumphs as well as his journey to sobriety, which Ozzy regards as his greatest accomplishment.

7.3 out of 10 (728 )

An examination of the life of acclaimed 'horse whisperer' , who recovered from years of child abuse to become a well-known expert in the interactions between horses and people.

7.8 out of 10 (50 )

The life and times of the rock band Queen - told in two parts covering in part one the 1970's and in part two the 1980's and beyond.

6.5 out of 10 (22 )

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7.9 out of 10 (277 )

Fifty years ago there were close to half-a-million lions in Africa. Today there are around 20,000. To make matters worse, lions, unlike elephants, which are far more numerous, have virtually no protection under government mandate or through international accords. This is the jumping-off point for a disturbing, well-researched and beautifully made cri de coeur from husband and wife team Dereck and Beverly Joubert, award-winning filmmakers from Botswana who have been Explorers-in-Residence at National Geographic for more than four years. Pointing to poaching as a primary threat while noting the lion's pride of place on the list for eco-tourists-an industry that brings in 200 billion dollars per year worldwide-the Jouberts build a solid case for both the moral duty we have to protect lions (as well as other threatened "big cats," tigers among them) and the economic sense such protection would make...

6.6 out of 10 (300 )

An unconventional documentary that lifts the veil on what's really going on in our world by following the money upstream - uncovering the global consolidation of power in nearly every aspect of our lives. Weaving together breakthroughs in science, consciousness and activism, THRIVE offers real solutions, empowering us with unprecedented and bold strategies for reclaiming our lives and our future.

6.6 out of 10 (125 )

What does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a masterpiece in the cinema of war.

7.2 out of 10 (1036 )

A nature documentary centered on two cat families and how they teach their cubs the ways of the wild.

6.9 out of 10 (408 )

During the most tumultuous time for media in generations, filmmaker Andrew Rossi gains unprecedented access to the newsroom at The New York Times. For a year, he follows journalists on the paper's Media Desk, a department created to cover the transformation of the media industry. Through this prism, a complex view emerges of a media landscape fraught with both peril and opportunity, especially at the Times itself.